

Thank you for the explanation. Its a pretty shit situation from an artists point of view it seems.
I’m guessing there was never any way for artists to fight this model when it developed. It was made so attractive for consumers like me to have music available on tap, that it would have been impossible for artists to fight against that level of convenience and demand.
I didn’t realise the figures were that bad to be honest. I suppose I assumed that because it was a way to get music to more people really quickly, that it would benefit artists.
Appreciate the explanation. 🙏🏼


This is very alarming. My eyes have never been opened so widely as they are in the last two months since I started ungoogling and FOSSing. This post has veritably split my eyelids.