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Cake day: June 12th, 2023

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  • Given the complete failure to produce and release anything for Star Trek in more than a decade on the cinematic side, I can’t think any reasonable senior executive would think now is the time to let Kurtzman go. All the more, the historic chaos in relaunching the television franchise in the early seasons of both TNG and Discovery have demonstrated that it’s just not possible to launch a new overall franchise runner without running major risks.

    Kurtzman’s got a reputation as being good to work with from both the studio/streamer and creative side. They don’t have any evidence to show he won’t adjust to new strategic direction.

    The question more will be how far will Kurtzman himself be willing to compromise if the Ellisons give high level direction that would take the franchise in a very different direction for television.

    What I do see is that some of the perceived failures will definitely lead to restricted opportunities for some of the EPs that have worked for Kurtzman. For example, Osunsami may not be given run of a project again after the S31 movie. Michelle Paradise won’t likely be asked to run another show in the franchise.



  • I’m not sure that it’s entirely accurate that there’s no hints of a renewal for Kurtzman’s and Secret Hideout.

    In the recent SFX magazine piece for Starfleet Academy, the Kurtzman quotes hinted vaguely at “Lots more Star Trek TV is in development”.

    “There’s quite a few exciting things in the works right now, but I’m not going to say more than that!”

    TrekMovie observes that, ‘The SFX article noted Kurtzman was “tight-lipped about future projects,” adding that the interview was done before the announcement that[ Jonathan Goldstein and John Francis Daley are developing a new Star Trek film.’

    Thinking back to the last 5-year extension, Kurtzman was asked to map out proposal for Star Trek’s television rollout for 5-7 years forward.

    Clearly, he was given clearance by the new ownership to pitch stuff towards another extension. Whether there’s any uptake is to be seen.

    I just keep coming back to the previous Paramount+ and streaming heads stripping the schedule back to the point that animation was being eliminated and the live action schedule was dominated by Taylor Sheridan.

    Now the new owners have a large and prestigious animation studio and Sheridan refused to renew.

    Meanwhile WB is fighting back against Skydance’s takeover effort to go with Netflix’s offer.

    If I had to guess, Paramount+ will see more new Star Trek animation and live action as complementary to the darker whatever that the creators of Stranger Things will bring.

    Kurtzman may get another but shorter extension until the movie franchise gets off the ground, but will be fenced to the 32nd century, animated shows, and shows from the 23rd and 24th century that won’t write new canon.


  • This seems to be just one more thing in development that hinges on the decisions David Ellison will make about the next decade for the franchise, or at least the next five years.

    Now that some of the new things that Ellison had been counting on to anchor Paramount+’s schedule (i.e. anything new from Taylor Sheridan) are complete nonstarters, perhaps there’s some room for some new Trek.

    Also, the relationship between Kurtzman and David Ellison goes back to when Kurtzman was a writer and Ellison was a producer on Into Darkness. There’s no sense of negativity between them.

    While Ellison hasn’t hesitated to finally cut the JJ Abrams movie contract that failed to meet deliverables, Kurtzman has delivered what CBS and Paramount wanted on television. There’s no reason to believe that they couldn’t come to a meeting of minds but there may be some of Secret Hideout’s long term EPs that might be let go in the process of a shift in direction.


  • So, one of our GenZ kids has now watched the trailer a couple of times and asked some questions.

    They’re not the Discovery fan among our teens, preferring animation generally. (They liked Lower Decks and Prodigy.). So, I had to fill in on the 32nd century.

    They’re not entirely convinced about investing in a live action series but might watch the premiere.

    Meanwhile, the one who was previously a Discovery fan has just come off a Picard and TNG watch and isn’t sounding interested. The marketing is not intriguing them the way Disco season 5 did.

    All to say that I am not sure that Paramount really understands Zs or marketing to them at all.